Here's the latest work in progress shot of the biggie in the basement. In the last post you saw how I worked out the composition. Now it's getting to the color stage. First, I just fill in the spaces with whatever colors I've got around, it doesn't really matter (though I do end up having some kind of unintended harmony regardless). The second layer of color is when I start testing out the colors in my mind on the surface - like how would a lime green look here? - as well as getting more fine tuned in application. The first coat soaks into the canvas, the second creates that "plastic-y" acrylic film that I really love and the third (and forth, fifth, whatever) is sure to have the level of density that I'm looking for. As it stands now, I'm 95% finished with the second coat. Now I have to go down and start really thinking and tweaking things. Standing back and looking for a long time at the whole and it's parts and back to the whole again...
So don't get too attached to these colors as they will surely change with the final layers. Up towards the top, there is a strong horizontal line that cuts down in an angle to the right. I'm wondering if that's too solid, too heavily directing the eye down and off the side of the canvas instead of bouncing it around the whole surface. It feels too tilted. Maybe I can break up that line in some places and find a way to redirect the eye back into the whole...
Time to get back to work.
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