(Close up)
Horizon Line 1 - Acrylic on 24" x 36" canvas
(Close up)
Horizon Line 1 - Acrylic on 24" x 36" canvas
Why yes! There was Harry - or not - let's just assume it was the same bird. He was so concentrated in his work, he never noticed me sneaking up on him to take his picture. While I'm alone working during the day I chat with the wildlife - the black butterfly that loves the forsythia, the pair of robin lovers that flirt and flutter around the yard, and now, my main man (or lady?), Harry. I love the sounds of the forest. The many bird calls are like a dense symphony. I put words to certain calls today - one bird says "Vick! Vick! Vick! Vick!" like a hyped up fan chanting the name of their favorite rock star. Another exclaims "my tea! my tea! my tea! wait!-wait!-wait!-wait!-wait!... (and as if on second thought) no,,,, no,,,, no" and yet another says "whaaaat?" like it's unsure of itself. At least that's what I hear. This is what's going through my mind working out there... I know, crazy right? Yet somehow this sort of stuff keeps me sane. Go figure.
This painting is coming along. It's a work in progress still and I took this picture just after the sun set so the colors/contrast aren't exactly what they are in real life but you get the general idea. I worked over the whole surface with a unified color and now I need to get back into those circles and develop them the way I see them in my mind (ethereal, glowing orbs). I'm thinking warmer tones will be reintroduced and that will alter how I handle the rest of the piece. The painting is called Leaning and it's part of this new series I've been developing called Relations. The series is an exploration of the many elements of human relationships, expressed in an abstract language. In Leaning, the thick wave of blues represents exactly that - a wave of the blues - arching over, anticipating the downward direction until it is lifted by the light and love of others. The band is broken and pieces of it turn upwards, inspired in light by the help of a loving influence. I'll write more about this series and each piece once they are completed.
It felt like summer today here in Connecticut. Out and about on the town I heard typical weather talk "hot enough out there for ya?". It's so funny to me how we all complain about the weather for most of the winter and the first day it gets over 80 everyone is saying "hot enough for ya?". I responded with a giddy, "I love it!" because I really do. Flip flops and tank tops - that's how I roll. After I got back from the post office I started painting in the studio and couldn't walk away until the last bits of sunlight faded in the sky.
Today I worked on three canvases for a new series I've been thinking about and sketching for about a month now. With so much build up, it was a little intimidating to get started. Almost immediately I realized that sketched ideas are one thing, these pieces will be flushed out in paint in ways I hadn't expected or predicted - as they should be. The last thing I wanted was for these paintings to be over calculated and planned, and flatly executed. In the picture above (taken with a flash at dusk) you can see some of the textures I've been playing with in this particular piece. Each of the circles was built up with texture medium and then once dry, I caught the edges dry brushing over in yellow and white. I have multiple jars of Golden brand texture mediums I bought years ago when Michael's had a moving sale and it's taken me until now to start to experiment with them. You can kind of see the sort of textures I created with a palette knife and texture medium in the blue/purple foreground. These new paintings are going to be a little different than usual and it's been a positive challenge for me so far. Think outside the box. Don't get too committed to a surface - rough it up, refine it, then rough it up again.(these are my words, the youtube clip is something i just discovered that inspired me)
Take Me There - Acrylic on 24" x 24" canvas
Somewhere Called Happiness - Mixed media on 8" x 8" box canvas, 2009
Lasting Impression - Mixed media on 8" x 8" box canvas, 2009

Early Spring Treeline - Work In Progress - Acrylic on 8" x 10" canvas, 2009
What a leap between these two paintings, right!? April in Ellington (my hometown) is the first landscape study I began yesterday - I had the vision of a soft, true to life palette and after working more on it today, I think it's finished. It's a good reference for a larger painting that could take more abstract liberties. I am not going to list this painting for sale right now (please let me know directly if you're interesting in buying it at jtorrant@aol.com). I'm going to hold onto it for a potential show I'm thinking about of local landscapes in our town.
The second painting, Early Spring Treeline, is in a bolder style, more along the lines of where I'm looking to take my landscape work. It requires me breaking away from the subject at some point and just diving into the painting itself, letting it become something else, feeling free and liberal with color. This painting isn't finished, not quite yet, but it's pretty close.
It's supposed to be in the EIGHTIES tomorrow! Yee haw! I'll be out in my studio working on some biggie abstracts. Time to let the paint fly!
Here's a shot of a tree and shrub nursery farm - there are lots of those around here, in fact I grew up with one across the street from my parent's house (now clear cut with houses). The birds that nest in these dense plots of shrubs are so delightful - that's probably what I miss most about walking around my old stomping grounds. As you walked along the trail they'd flutter up and out then swirl back into their spot all the way down the line. As rural land gets chomped up more and more, I value the land that remains even more. I know the deer, turkeys and coyotes and many other animals and birds certainly do as well.
The orchard (and our house) are up on the hills in the distance in this picture. I like this shot. I'll be basing a painting on this one.
This is a very Wolf Kahn-esque view. I'll be using this for another painting.
Spring Forsythia - original acrylic on 8x8 inch box canvas
This is the first in my new collection of downloads available in my Etsy shop at http://www.livefunky.etsy.com/. They are designed to be printed at home as many times as the buyer wants, cut up, pasted, altered, glued, decoupaged, you name it. I happen to love this card I made this afternoon using my test printout, a blank greeting card and a piece of decorative paper.
I spent the day testing out different approaches, from ink to watercolor to acrylic. I drew and painted so many different leaves today but it was worth it. I've decided that there's no rush - take your time, work on what you are doing until it's exactly as you want it, nothing short of the best. That's not to say I've been putting out half hearted work, but I do tend to be impatient and I'm going to work on that. I was working at the kitchen table today and I actually had the bad 90's song "Don't Rush Me" going through my head. Not a great tune, but a good reminder nonetheless.
So it's official... I recently signed onto Etsy as www.JessicaTorrant.etsy.com. I'm going to be continuing with livefunky (downloads, printed products, small originals) and my new shop will be focusing on Fine Art originals. Part of the reason why I'm doing this is because I want to continue to experiment with fun, lighthearted projects and keep my serious paintings seperate, grouped together in one place. Let's put it this way - if I were going to a craft show, I'd bring along livefunky prints and originals, if I was applying for a gallery show, I'd be presenting my finest work (soon to be at JessicaTorrant). I have a series idea I've been working on that will be my first paintings to hit JT. Things will continue to evolve through the summer and the divide between the two shops will become ever more apparent.


Here are some pictures of my new "art cards" I'm selling in my Etsy shop www.livefunky.etsy.com. (I couldn't resist including this shot of the forsythia now blooming!). I'm really excited about these cards. It's been a bit overcast the last two days so I'm looking forward to a really sunny day to improve my photographs. I have them packaged with an envelope, a sticker for sealing and a print out with framing instructions in a cello sleeve. I love a sleek, well packaged product! I think these will be a good addition to any summer shows/fairs I do this year. I have been doing a lot of planning and brainstorming for livefunky as well as another idea I've got up my sleeve. I'll explain more as things progress.
My Meadow 2 - Watercolor and oil pastel
Fine Tuning the Dream - Acrylic on 9" x 12" canvas panel, 2009
Spring Has Sprung - Acrylic on 8" x 8" canvas panel.